Behind the Lens: Crafting a One-Shot Promo for Who’s Afraid of Virginia Woolf?
Recently, we had the chance to create a promo video for Curve Theatre’s production of Who’s Afraid of Virginia Woolf?, and it was a real exercise in choreography, lighting, and cinematic problem-solving. The concept: a continuous, “one-shot” walkthrough of a 1960s-style house party, ending with the camera landing on Martha looking straight down the lens.
We shot on a Canon C70 using a Sirui 50mm 1.66 anamorphic lens mounted on a Thanos Pro Stabilisation system, giving the camera fluid movement as it navigated the space. The anamorphic lens brought a cinematic wide frame and unique flares. It was our first time using this lens so framing and focus pulling were an extra challenge. Having a dedicated focus puller made keeping the actors sharp as they moved through the frame much easier.
The shoot took place in an antique shop, full of props and textures that added depth to the scene. To control the natural light streaming through the large windows, we blocked them with tin foil, giving us a blank canvas and full control over lighting. We used a mixture of lighting fixtures including an LED light tube, LED mini spots, magnetic LED panels and an Atomos Sun Dragon light. The flexibility of the Atamos and the magnetic lights allowed us to rig lights inconspicuously, avoiding stands and maintaining the one-shot illusion. The lighting was then supplemented with practical lights within the space.
Before filming, we met with Cara, the director, to map out the camera’s path and the key moments it would capture. Once the extras arrived, we blocked the choreography, ran a few rehearsals, and then tackled a series of takes – each actor hitting precise marks to create the effect of a lively party.
Post-production was equally meticulous. Duncan graded the footage to preserve the warm glow of the practical lights, creating a cosy 1960s party atmosphere. Particular attention was given to the sofa from the actual set: to maintain colour accuracy, Duncan masked it carefully to ensure the RGB values matched the production design, rather than being altered by a generic LUT.
For the opening exterior shot of a period 1960s New England house, we promopted AI-generated video via Google’s VEO3 Pro model. It was a trial-and-error process: generating low-res iterations first, refining the prompts, and testing options before committing to a high-res output that matched the production team’s mood board.
Audio was a blend of on-set recordings from our sound recordist Angel, carefully mixed with foley and period-appropriate music to match the party vibe.
Shooting a theatre trailer outside a traditional theatre environment gave us the chance to transform a real location to fit a theatrical brief – a challenge we relished. The combination of careful planning, technical precision, and collaboration with the client resulted in a cinematic, immersive promo that we’re really proud of.
Creative Team:
Director: Cara Nolan
DoP: Dan Flanders
Focus Puller: Paul Trunkfield
Sound Recordist: Angel Rossell De Pablos
Post- Production: Dan Flanders & Duncan Macleod
Colour Grade: Duncan MacLeod
Audio Mix: Dan Flanders
Stills: Jonathan Pryke
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